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By the use of both diatonic harmonies and monolithic structures in such an absolutelly patent way, Daniel Ardura (Alado Sincera), Josep Martí (Cataplàusia) and Carles Viarnès stretch the preconceived instrumental austerity getting to just obviate the song itself, to precisely emphasize its own form, and meaning.

In such a serene act builed up to undress the time. Involving a return to the most intimate lyrics of Ardura but to be developed this time among diferent fields instead: Closer to David Grub’s experimental pop or Vincent Delerm’s contemporary songs rather than, at a glance, anything else...

Terse memories, flashes getting amplified, journey notebooks on song form, each one of them as a piece for a single moment and every moment as free scrap, battle of unfocused witnesses.

 

 
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